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Gold. Werner Herzog reads hipster favorite Go The F☁ck To Sleep at LIVE from NYPL. And 5 ½ more Werner Herzog gems.

Why, exactly, is this a “hipster” favorite? What distinguishes this from subversive children’s literature throughout the decades, from Dr. Seuss’ underground side-projects to Shel Silverstein? Does the back of the book instruct the reader to grow ironic facial hair and buy PBR tallboys at whatever momentarily trendy dive bar? Are there pictures of guys in Daisy Dukes and drunk young women in Native American headdresses? Does the narrator append “GET IT?!” to the end of every page?